February/March 2011 (原始资料)
杂志的特性
Publisher's Note: 是什么 a Superhero, Anyway?
2011年3月10日
Introducing 流媒体's own specialist superhero, a champion to inspire readers to create great online video.
The State of 流媒体 and Entertainment 2011
2011年3月10日
The future looks bright for streaming media content providers in their fight for consumers' attention.
Video Sprawl in 2011: The State of the Enterprise
2011年3月10日
Industry leaders agree that this is the year enterprise video moves beyond ‘ego-casting' and training.
The State of the Connected Living Room 2011
2011年3月10日
From Apple TV to Roku, there's no shortage of connected devices on the market. But will the lack of standardization doom them all to failure?
Choosing a Streaming Encoding Tool
2011年3月10日
Our annual test of the leading desktop encoding programs.
2011年移动视频
2011年3月10日
We saw a variety of important portable devices launched in 2010. Here's who won and who lost the portable video race.
The State of Online 视频广告 2011
2011年3月10日
As more ad networks appear on the scene, with better solutions that are easier to use, advertisers are opening their pocketbooks.
2011年教育视频
2011年3月10日
Video is no longer novel on college campuses. While video's not quite as ubiquitous as textbooks, it's getting there.
The State of Metadata in 2011
2011年3月10日
2010 saw consolidation, and 2011 promises to be a watershed year for video metadata and search.
Consolidation in the 流媒体 Sectors
2011年3月10日
Consolidation continues across all sectors of the streaming industry, and a major IPO is scuttled.
How to Set Up a Streaming Server, from A to Z
2011年3月10日
From ABR to Zeri, here's what you need to know to get started with your streaming server.
ovp上的411
2011年3月10日
并非所有的ovp都是一样的. Here's a look at what they all have in common, as well as differentiating features.
Live Webcasting Solutions Buyer's Guide
2011年3月10日
From consumer tools all the way up to broadcast-grade solutions, the choices for webcasting technologies are almost endless.
2011 Editors' Picks for the Best in Streaming Video
2011年3月10日
What do the Apple iPad, BitTorrent, and the Roku XDS have in common? They're all winners in our book.
如何编码到WebM
1月12日
With Google's announcement that it's dropping H.264 support in Chrome in favor of WebM, it's time to start looking at the format. Here's a look at how to get the best WebM quality.
保证视频质量
2011年3月10日
When we're at the point where all encoders work just as well, how do we measure quality? From PSNR to SSIM to ‘golden eyes,' here's a look at how video quality can be assessed.
Social Media Strategies: Video Is the Killer App
2011年3月10日
Companies are realizing the power of social media and video and are desperately trying to figure out how to implement them into their existing businesses.
HTML5视频导航
2011年3月10日
A look at key developments that shaped the HTML5 platform, as well as practical and technical resources to help you implement HTML5 Video
Yes Men Documentary Prospers with P2P Distribution
2011年3月10日
The activist corporate pranksters/video producers embrace peer-to-peer distribution for their film The Yes Men Fix the World.
iStreamPlanet, Intel and Switch Communications Go for Online Gold
2011年3月10日
iStreamPlanet, Switch Communications, and Intel Corp. teamed up to deliver an outstanding online media experience for the 2010 Vancouver Winter Olympic Games.
The Cyber Classroom: Case Study
2011年3月10日
A mashup of lecture and distance learning improves student performance.
视频招聘会:案例研究
2011年3月10日
Jobnob's Ivy Plus Job Fair was a win-win for employers and recruits.
Mediaco and MediaPlatform: Case Study
2011年3月10日
MediaPlatform helped one of Canada's largest event companies take control of its webcasts.
Adobe TV—ColdFusion, Hot Video Site: Case Study
2011年3月10日
Leading interactive agency advances next generation of Adobe TV to discerning creative audiences.
3.8 Million Grammy Live Fans Can’t be Wrong: Case Study
2011年3月10日
The interactive, complementary Grammy webcast drew a huge audience and boosted TV views to boot.
编者按
编者按: Embrace the Chaos
2011年3月10日
The online video industry is a mess—and we wouldn't have it any other way.